Dope lives up to its name

         Judging from its theatrical trailer, Dope gave the impression of nothing more than some geeky teenager struggling to get through his last year of high school. Fortunately, it lived up to the slang definition of a term most often associated with illegal narcotics. Utilizing a cast of not necessarily the biggest names in Hollywood and Forest Whitaker as the narrator for the first ten minutes, the film perfectly takes hold of several different aspects. The first is that all too common theme of teenage popularity and acceptance among peers. Malcolm portrayed by Shameik Moore along with his two best friends, Tom boy Diggy (Kiersey Clemons) and Jib (Tony Revolori) are often bullied in and outside of school as demonstrated by them almost having their bikes stolen after going down the wrong street.

            A more underlying theme tackled during the film is the lack of belief in inner city children held by those charged with educating them. We get a strong glimpse of this when Malcolm meets with his counselor and expresses dreams of going to Harvard University after graduation. His dreams are quickly dismissed as arrogant and unrealistic, and Malcolm is told not to be optimistic prior to his interview for college admission. Despite the lack of support, Malcolm remains hopeful and close to his friends.

            With an excellent blend of comedy, endless one-liners, and a unique set of characters including Zoe Kravitz, daughter of famed musician Lenny, the film displays how a shy young man with aspirations of leaving his poverty stricken neighborhood undergoes a drastic transformation similar to that of Walter White in Breaking Bad. By the time the film ends, the same people that once struck fear into the heart of Malcolm and his friends now have a great deal of both reverence and fear of him. His turning of the tables on his counselor, admission interviewer, and school bullies cause us to view him as somebody more than ready to take on literally any challenge thrown his way.

            This transformation is great for a few reasons. It defies the stereotypes often time associated with people from Malcolm’s neighborhood. Also, it leaves us wondering who Malcolm really is shortly before the credits roll. Is he a geeky kid who awkwardly loses his virginity to the daughter of one of his future rivals? Or is he a mastermind of one of the most brilliant undercover drug operations executed not for profit but for survival? Is he both? Are there other personalities lying dormant that might come out in a possible sequel chronicling his years as an undergraduate? However the audience chooses to view him, it is practically impossible not to root for whatever alter ego is running his mind at the time.

            His transformation is also great as we get a chance to see a young black male escape such a neighborhood doing something other than putting on an athletic uniform or picking up a microphone and dropping a mixtape. The inspiration of a minority from the “ghetto” being more than just an entertainer is refreshing. Overall, we’ll score this production as a good example of what can happen when the heart and desire outweigh the circumstances. The results can be…dope.